Some collaborations feel staged. They exist to tick boxes and generate headlines. Others, rarer, are born out of instinct and connection. The partnership between Pierre Gasly and H. Moser & Cie. falls into the latter category—subtle, sincere, and deeply personal.
Rather than lending his name, Gasly invested himself in the creation. The result is the Streamliner Tourbillon Pierre Gasly, a timepiece that mirrors his world on and off the track. It’s not about branding. It’s about identity.
A Watch in Pierre Gasly’s Image
When Gasly first sat down with H. Moser & Cie., he brought clarity. He knew what he wanted, from the textures to the heartbeat of the watch: the tourbillon. To him, its constant ballet recalls the choreography of Formula 1—precise, hypnotic, endlessly demanding.
Set at six o’clock, the one-minute flying tourbillon becomes the watch’s soul. Inside, the automatic HMC 805 calibre runs with its twin hairsprings, ensuring accuracy no matter the shifts of gravity. It’s technical mastery, but also poetry in motion—qualities Gasly understands well.
The Colour of Character
If the mechanism is the heart, the dial is the personality. Gasly named it himself: Chocolate fumé. Deep, warm, and quietly intense, it is both mysterious and restrained—much like Gasly behind his sunglasses, in the liminal space between speed and stillness.
The dial’s richness contrasts with the sleek, aerodynamic curves of the 5N red gold case, creating a tension between power and elegance. It’s the same duality Gasly embodies: sharp precision tempered by a human warmth that draws people in.
Two Editions, One Spirit
Collectors will recognise the rarity. The first version, limited to 100 pieces, comes with a chocolate rubber strap, emphasising sport-chic versatility. The second, even more exclusive at 10 pieces, carries Gasly’s personal number. At ten o’clock, a single ruby glows—a quiet detail only the most attentive will catch. This edition flows into a full red-gold bracelet, a seamless continuation of the case, like a racetrack without a break.
A Debut Written in Lights and Engines
The watch made its debut not in a hushed salon but on one of the world’s most theatrical stages: the Singapore Grand Prix. Under the glare of floodlights, in the city’s electric humidity, with engines roaring against skyscrapers, Gasly wore the watch for the first time. It felt cinematic. Personal. Inevitable.
This wasn’t about another driver-branded model. It was about a dialogue between man and machine, translated into horology. The Streamliner Tourbillon Pierre Gasly is not a marketing exercise. It is a portrait in motion, measured in seconds and heartbeats.
